Elia Raza
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Movies - I WatchOct 20, 20265 min readSpoiler-light

“La La Land” Is Not a Happy Musical.

“La La Land” taught me the cost of dreams.

A vertical movie poster for La La Land featuring Ryan Gosling and Emma Stone embracing in a passionate kiss against a dramatic dusk sky. Ryan Gosling stands on the left in a grey suit, leaning in as he wraps his arms around Emma Stone, who wears a bright yellow, sleeveless dress and high heels, with her leg kicked back at an angle. Behind them, large bold white lettering spells out "La La Land" in a stylized cursive font, partially overlaid by the couple. The top left reads "RYAN GOSLING" in yellow block text, while "EMMA STONE" appears in matching yellow text on the top right. Below the couple lies a glowing, sprawling city skyline beneath a twilight sky tinted with shades of purple, blue, and faint pink.
Ryan Gosling and Emma Stone feature on the movie poster for La La Land.
Elia’s Rating
5 / 5

It’s a story about what a dream costs, and who pays for it.

Directed by
Damien Chazelle
Written by
Damien Chazelle
Starring
Ryan Gosling (Sebastian), Emma Stone (Mia), John Legend (Keith), Rosemarie DeWitt (Laura), Finn Wittrock (Greg), J.K. Simmons (Bill)
Genre
MusicalRomanceDrama
Released
2016 · United States
Runtime
2h 8m
Rated
PG-13
Language
English
IMDb
8.0 / 10

La La Land is a love story that spends two hours proving love isn’t the point. I’ve watched this movie every time I remember someone, and I keep hearing it described as a happy, candy-colored musical about two beautiful people. On Sunday night, I rewatched it and noticed that Mia and Sebastian were right not to end up together.

This La La Land movie review is about why a film this bright leaves so many people quietly wrecked, and why I think its ending is the only honest one it could have had. Spoilers start in the ending section.

What to Know About La La Land (2016)?

La La Land is Damien Chazelle’s follow-up to Whiplash, with music by Justin Hurwitz (his friend since their college band days at Harvard) and lyrics by Pasek and Paul.

It opened the Venice Film Festival on August 31, 2016, where Emma Stone won Best Actress, and reached US theaters that December. La La Land earned about $526 million on a $30 million budget. It won all seven of its Golden Globes, tied the record with 14 Oscar nominations, and won six, including Best Director for Chazelle, who at 32 was the youngest person to win it.

Storyline of the Movie

Mia Dolan (Emma Stone) serves coffee on the Warner Bros. lot between auditions that go nowhere. Sebastian Wilder (Ryan Gosling) is a jazz pianist who dreams of opening his own club, but pays rent playing background music in restaurants.

After a traffic jam in the opening number, they keep colliding: a honk on the freeway, a missed hello, a party where he’s stuck playing 80s covers. By the time they dance on a hillside above the city, they’re already in love.

A wide shot captures a woman and a man standing side-by-side from behind, overlooking a sprawling city valley at twilight from a high vantage point. The woman on the left wears a vibrant yellow A-line dress, bright blue heeled sandals, and carries a large red leather tote bag over her right shoulder. The man on the right wears a crisp white button-down shirt, dark green tailored trousers, and dark dress shoes, holding a dark jacket over his right arm. They stand on a paved overlook lined by short wooden posts on the right. In the background, rolling blue mountain ridges silhouette against a soft dusk sky fading from orange near the horizon to dark blue above. Below the mountains, the city lights begin to twinkle across the valley floor. A leafy tree branch frames the upper edge of the scene from the top center.
Emma Stone and Ryan Gosling overlook a city skyline at dusk in a scene from La La Land. Lionsgate

Each pushes the other to stop waiting. Mia writes her own one-woman show. Sebastian joins a successful band led by his old acquaintance Keith (John Legend), trading the music he loves for the money he needs. Their schedules drift apart, and the film tracks how love and ambition quietly start competing.

An indoor eye-level long-shot captures Sebastian (Ryan Gosling) in a white dress shirt and dark pants, seated at a brown upright piano in a restaurant with brick walls, playing the piano as he looks over his right shoulder in profile. Sebastian sits with his back straight and hands on the piano, looking back over his right shoulder with an intense gaze. His blonde-brown hair is styled neatly, and he wears a white collared dress shirt with the sleeves buttoned at the wrists, dark pants, and a thin brown tie. The upright piano is brown and has a matte finish. The brick wall behind Sebastian is a warm brown color, and a round stained-glass window featuring a lighthouse on rocks amidst blue waves is positioned above the piano. The lighting is warm and directional, casting a soft glow on Sebastian and highlighting the textures of the brick and piano. The atmosphere appears to be a dimly lit jazz club or restaurant, creating a moody and intimate setting.
Ryan Gosling as Sebastian Wilder playing the piano at Lipton's restaurant. Lionsgate

What is La La Land About?

On the surface, it’s about an aspiring actress and a struggling jazz pianist who fall in love in Los Angeles, and underneath, it’s about the price of becoming the person you dreamed of being.

The title carries both meanings. “La La Land” is a nickname for Los Angeles, and it’s also slang for being out of touch with reality. Chazelle never decides which one he means. The dream and the delusion live in the same city, often in the same person.

What makes it feel human is that everyone around Mia and Sebastian keeps telling them to be realistic. The film honors them for refusing, but it’s honest about what refusing costs.

La La Land Explained: The Idea at the Center of the Film

The film’s real argument is that love can be real and still not win. Mia and Sebastian each get what they dreamed of because of the other, and each pays for it with the other. The relationship was the scaffolding, not the building.

There’s a paradox in the middle, too. Sebastian loves jazz as a museum piece and wants to save it by keeping it exactly as it was. Keith pushes back: if you refuse to let jazz change, you’re not saving it, you’re burying it. The film makes the same point about itself.

It’s a love letter to classic Hollywood musicals that insists the past can’t be kept intact. Even Mia and Sebastian’s date to a screening of Rebel Without a Cause ends at the Griffith Observatory, the same place the older film shot at.

“Mia and Sebastian’s Theme” - The Melody That Tells the Whole Story

Hurwitz wrote the theme as a gentle waltz in 3/4 time that opens up into jazz later on. The first time you hear it, Sebastian is playing it alone and Mia, drawn in from the street, stops to listen. It sounds like an invitation.

By the end, the same melody scores a montage of the life they didn’t live, and it plays like an elegy. Same notes, two different meanings, and the whole film lives in that gap.

“City of Stars,” sung by Gosling and later as a duet, won the Oscar for Best Original Song. The opening number, “Another Day of Sun,” is staged as one continuous take on a real freeway interchange. The movie asks you to believe in the fantasy before it asks you to accept the cost.

Hint: If you have read my (500) Days of Summer review, then you probably have an idea of what type of feelings Sebastian has.

What Happens at the End

Mia’s one-woman show flops, and she retreats to her hometown of Boulder City, Nevada. Sebastian learns a casting director saw the show and wants her to audition. He drives out and convinces her to go. She gets the role and heads to Paris.

Before she leaves, they promise to always love each other and to see where life takes them. Then the film jumps five years. Mia is a star, married to someone else. By chance, she and her husband wander into a jazz club called “Seb’s,” named with the logo she once sketched.

An extreme close-up focuses on a light-skinned man with dark hair, a mustache, and a short beard, wearing a white collared shirt under a dark suit jacket, his expression a mix of longing and sadness. His face is lit with vibrant purple and pink hues, casting deep shadows on the right side of his face. In the blurred background, a light-skinned woman with shoulder-length brown hair wearing a black halter-neck dress stands under a stark spotlight, looking toward the man with a somber expression. She is surrounded by a dimly lit crowd of seated people in a theater setting, with small lamps illuminating their tables with warm orange light.
Ryan Gosling looks forward to Emma Stone at the end of La La Land.

Sebastian sees her and plays their theme. The film unspools a fantasy of everything that might have been: the life together, the kids, the version where nothing had to be given up. Then it snaps back. They exchange a nod and a small smile, and she leaves.

It isn’t tragic. Each got what they dreamed of, and the smile is gratitude. The ending is often compared to The Umbrellas of Cherbourg, another musical that lets its lovers go.

I’ll rate this movie 5 out of 5

This is one of the most honest films about ambition I’ve seen, and the music alone earns a place on your playlist. I’m holding back half a point because it’s a film about Hollywood dreamers made with Hollywood’s own affection, and neither lead is a trained singer, which some viewers never fully forgive.

It’s romantic, bittersweet, and brave enough to let its couple go. If you’ve ever had to choose between a person and a path, it will probably find you.

Questions, Answered

Did Ryan Gosling play the piano in La La Land?

Yes. Gosling reportedly began learning jazz piano about three months before filming with Los Angeles teacher Liz Kinnon, and no piano double was used for his on-screen playing.

Is La La Land a musical?

Yes. It’s an original musical, not adapted from a stage show, that blends romance, comedy, and drama. Gosling and Stone sing and dance their own numbers, including “City of Stars” and “Audition.”

Where was La La Land filmed?

It was filmed across Los Angeles and nearby areas. The opening number was shot at a freeway interchange, “A Lovely Night” at a Griffith Park viewpoint, and the Observatory scene at the real landmark.

5 / 5
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